Man in safety goggles holding a tray with fire, while another person uses a long stick to ignite it in a laboratory or classroom setting.

PiXL In Action: Season 1

Client: PiXL, London, England

Production Type: Corporate

Deliverables: 4x 90-minute videos

Project Overview: In 2020, PiXL commissioned Reverie Films to create a flagship video series showcasing how its resources were used in real schools, inspiring and empowering educators through authentic stories from teachers and students.

Introduction

At Reverie Films, we believe the best educational stories are told by the people living them every day. As a video production company in Glasgow, we’ve worked with PiXL since 2017, creating films that celebrate real impact in schools across the UK. PiXL in Action was born from a shared goal: to show how evidence-based strategies translate into meaningful change for teachers, leaders, and students.

Through honest storytelling and cinematic craftsmanship, we set out to create films that felt authentic, relatable, and useful. Over two seasons, the series evolved from long-form documentaries to concise, topic-led videos, each designed to inform, inspire, and connect educators nationwide.

Purpose and concept

Our partnership with PiXL began in 2017 and has produced dozens of films. With PiXL in Action Season 1, we set out to create our most ambitious series to date. The brief was simple to state and complex to deliver: use video to show the real-world impact of PiXL’s evidence-based strategies in UK schools. PiXL wanted to move beyond static resources and traditional case studies. They were looking for a grounded, human series that would speak directly to school leaders, teachers, and support staff.

From the outset, we agreed the tone could not feel promotional. It had to be honest, practical, and centred on lived experience. We collaborated with PiXL’s senior leadership to define the narrative framework and the key outcomes for viewers. We focused on stories with substance, insights educators could apply, and a visual style that felt cinematic without being glossy. The result was a pilot that established the voice of the series and set the standard for everything that followed.

The Pilot: Proving The Format

In early 2021, we filmed a 16-minute pilot at Blessed Thomas Holford Catholic College in Altrincham. Working closely with the school’s leadership, we captured interviews with SLT, subject heads, and classroom teachers, alongside observational classroom footage. The aim was to show teaching, assessment, and culture in motion, not just talk about them. We used a compact crew to stay agile and respectful in live environments, and we photographed the school day as it unfolded.

Editing focused on clarity, warmth, and a coherent arc. The film was shown to PiXL leaders and a panel of headteachers and advisors. Feedback was unequivocal. The pilot felt authentic and useful, which led to a commission for a four-part series.

Pre-Production

With the green light, we entered a detailed pre-production phase. Together with PiXL, we defined four thematic episodes and a mixed format that balanced in-depth interviews with genuine school life. The tone was professional and accessible. We planned carefully for safeguarding, timetables, permissions, and travel. We researched PiXL programmes in advance so our crew knew what to look for and how to capture nuance without interrupting learning.

As a video production company in Scotland that often films in live educational settings across the UK, our approach prioritised collaboration and transparency. We ensured each school knew what to expect, and we set a schedule that respected staff and pupils while still achieving the editorial aims of the series.

Filming

Production ran June to October 2022 and featured a diverse set of schools, including The Green Room School, Brookvale Groby Learning Campus, Hope Academy, Acklam Grange School, Barnack and St John’s Primary Schools, and Nine Mile Ride Primary School. At each site we filmed interviews with leaders, teachers, TAs, and students. Interviews were guided, never scripted, to keep voices natural and credible.

We paired these conversations with unobtrusive classroom coverage, transitions, group work, and social spaces. We used a two-camera setup for coverage and intimacy, minimal lighting for realism, and careful location sound to preserve clarity. Exterior establishing shots and aerial context helped orient viewers without interrupting the flow. The goal was to build a human portrait of education in action, and to do it with respect and precision.

Editing & Post-Production

Post-production ran from July 2022 to June 2023 and covered 123 edit days. We logged hundreds of hours of interviews and b-roll, then built each episode through a series of rough cuts that were reviewed with PiXL. The guiding principles were consistent across the series: highlight authentic voices, keep messages clear for time-pressed educators, retain each school’s identity, and maintain visual and tonal coherence from episode to episode. The final episode themes were:

  • Sharpening up the Conversation

  • Preparing for Pressure Points

  • Transition in all Phases

  • Wellbeing for Staff and Students

Each episode was structured in chapters to allow flexible viewing. Runtimes ranged from 82 to 140 minutes. While long form, the pacing remained purposeful, with space for depth and detail that leaders could return to as needed.

Delivery & Impact

The series was finalised in summer 2023 with HD masters, clean audio, subtitle-ready exports, and chaptered navigation. Internal screenings confirmed what we hoped to achieve. Educators saw themselves reflected, not as case studies on a slide, but as professionals doing the work. The series rolled out across the network and was used for CPD, leadership training, conferences, and school-to-school sharing.

Beyond practical use, the films strengthened a sense of community across PiXL. Schools could learn from peers in different contexts and phases, and leaders could use chapters in short meetings or explore full episodes during training. For us at Reverie, Season 1 proved how thoughtful, documentary-led corporate video production in Scotland can deliver content that is cinematic, credible, and genuinely useful. As a video production company in Glasgow working nationally, we are proud that the series has become a trusted resource that continues to create value.

Young girl focused on her work at a desk in a classroom, with school supplies in the background.
A young girl in a Viking costume puts on a Viking helmet with horns at a classroom table. Other children in costumes are nearby, with one girl having face paint and braided hair, and a boy with short hair, all engaged in a costume activity or discussion.
People at a farm petting zoo with goats, sheep, chickens, and a large wooden sculpture of a face.
A young boy with blonde hair and blue eyes smiling while sitting at a desk in an art classroom, wearing a white paint-splattered smock, holding a paintbrush, with watercolors and drawing paper in front of him.

PiXL In Action: Season 2

Client: PiXL, London, England

Production Type: Corporate

Deliverables: 22x 20-minute videos

Project Overview: Following the success of the first PiXL in Action series, we produced a second season featuring topic-focused videos, from oracy to personal development, showcasing how PiXL strategies are applied in real school environments.

Concept Development

Following the success of Season 1, PiXL invited us back in 2023 to develop Season 2. The goal was to retain the authenticity and trust of the first series while creating a much broader set of shorter, more focused films. Educators are busy. Senior leaders need materials they can fit into briefings, INSETs, and department meetings. Season 2 would meet that need with concise, self-contained films that could be watched alone or grouped by theme.

We worked with PiXL leaders to shape a strategy that respected attention spans without losing substance. Each piece would be a clear, stand-alone story with one central takeaway. Topics would reflect live priorities in schools, and the tone would remain honest and practical.

Pre-Production

Pre-production began in late 2023. Together, we built a content matrix that mapped themes, learning outcomes, and contributors. Topics included cultures of high expectation, oracy, quality feedback, personal development, financial education, student voice, and more. The scope was larger than Season 1, with filming planned across more than ten schools and over twenty deliverables.

We confirmed permissions, safeguarding, and access in close collaboration with each site. We tailored interview prompts to each location and topic, and we created shoot plans that enabled efficient capture of multiple subjects in a single day. As a production company in Scotland that regularly films across the UK, we brought familiar rigour to scheduling and logistics so that filming remained smooth and low-impact.

Planned schools included Alderman Jacobs, Birkbeck School and Community Arts College, Carlton Bolling, Charborough Road Primary, Hayes School, Meadowbrook College, Parkwood E-ACT Academy, Queensmead School, Royton and Crompton Academy, Stoke Lodge Primary, and The Oldham Academy North.

Filming

Production ran throughout 2024. We worked in primary and secondary settings, alternative provision, academies, comprehensives, and both urban and rural contexts. The filming style remained documentary-led and collaborative. We captured interviews with headteachers, middle leaders, teachers, TAs, and students. We kept interviews unscripted to preserve voice and credibility, but we structured our time carefully to make every minute count.

Because Season 2 would be shorter in form, our b-roll was purposeful and targeted. We filmed teaching, transitions, peer collaboration, and everyday culture. We avoided over-styling so that the footage felt real and immediately relatable. We continued to use a two-camera setup, natural lighting, and careful sound to keep the look polished and the feel authentic. The on-set atmosphere remained supportive and calm, which helped contributors express their ideas clearly and confidently.

Editing & Post-Production

Season 2 moved from long-form narrative building to editorial precision. We sorted and tagged hundreds of hours of rushes and built focused timelines for each film. We matched tone and pace to the theme. For instance, cultures of high expectation benefited from a confident rhythm, while oracy and student voice invited more space for reflection. Throughout, we followed four rules:

  1. Clarity of message: every film delivers one main takeaway.

  2. Authenticity of voice: no jargon, no spin, real language from real people.

  3. Visual rhythm: b-roll supports meaning rather than decorating it.

  4. Educational utility: each output should be useful the same day it is watched.

Final runtimes ranged from 9 to 40 minutes, with most between 15 and 25 minutes. That length gave room for context, examples, and reflection, without demanding a full afternoon to digest.

Delivery & Impact

Season 2 launched in spring 2025 and was integrated across PiXL’s online platforms and CPD channels. The modular format made it easy for schools to select exactly what they needed. A head of department could play a 15-minute film on feedback during a meeting. A senior leader could combine three films on aspiration, student voice, and personal development for an INSET block. Schools mixed and matched segments to fit their calendar, their challenges, and their audience.

Feedback across the network was immediate and positive. Educators valued the shorter runtime, the clear focus, and the consistent production quality they recognised from Season 1. The films sparked discussions, informed action plans, and encouraged peer sharing within and across schools. The library has become a practical resource that teams can return to again and again.

For Reverie, Season 2 represented growth in scale and agility without losing what made the first season work. We expanded coverage, tightened edits, and delivered a suite of films that meet educators where they are. As a video production company in Glasgow working nationally, we brought the same care, organisation, and craft that underpin all our corporate video productions in Scotland. The result is a living library that supports CPD, leadership, and classroom practice in a format that respects time and delivers value.

Conclusion

PiXL in Action stands as one of our most meaningful collaborations to date. Season 1 captured depth and reflection through extended storytelling, while Season 2 refined the approach with shorter, practical videos for everyday use. Together, they form a lasting resource that continues to support professional development and leadership across the PiXL network.

For us at Reverie Films, this project embodies what we value most: collaboration, clarity, and authentic storytelling. As a video production company in Scotland, we’re proud to have created a series that not only documents change but drives it. If you’re looking to tell your organisation’s story through impactful, purpose-driven film, we’d love to help bring it to life.

Send a message
Children sitting at colorful desks in a classroom, some appear thoughtful or bored, with a girl in a pink hijab in the foreground and yellow walls adorned with educational posters.
A man with glasses, a beard, wearing a white shirt, red tie, and a blue staff badge writes quadratic equations on a whiteboard with a black marker.
School children in purple uniforms sitting at a classroom desk, engaging in reading and writing activities with books, paper, and a glue stick on the table.